![]() ![]() Film/TV: Terror Train, The Naughty Nine, About Sex, Fester, Infinite Light, Matthias et Maxime. Other notable credits include: Superdogs (Segal Centre for Performing Arts), Summer of Sonnets (Repercussion Theatre), Eva In Rio (Playground Productions), Reaching For Starlight (Geordie Theatre), and Don’t Read The Comments (Sermo Scomber Theatre). For his work on Simone Half and Half (Black Theatre Workshop), Dakota was awarded the 2020 META for Outstanding Supporting Performance. Winner of the 2017 META for Outstanding Emerging Artist, Dakota has since gone on to become a mentor in the program, and he has performed with companies such as Geordie Theatre, Repercussion Theatre, and Playwrights Workshop Montreal. Drama, 2015) and relocated to Montreal in September of that same year to participate in Black Theatre Workshop’s Artist Mentorship Program. He graduated from Bishop’s University (B.A. Thomas has lent his voice to many commercials ( FIZZ, Loto-Québec, Subway etc.) and animation series such as The Dump saison I et II.ĭakota Jamal Wellman is a performer, educator, and creator currently based in Montreal. He has also acted in numerous movies such as Le guide de la famille parfaite (Ricardo Trogi), Montreal Girls (Patricia Chica), Midway (Roland Emmerich) and many more. On TV, Thomas played recurring, leads and principal characters in shows like Un doute raisonnable II, Les yeux fermés, Ruptures (Radio-Canada), N.O.U.S., (Club illico), Piégés (addikTV), Nomades (Tou.TV). Isabelle Duperray), A State Of Madness ( dir. Hannah Eidinow), Le jeu de l’amour et du hazard ( dir. Louise Shepherd), The Double Dealer (dir. Marie Jourdren), Pericles, Prince Of Tyre ( dir. His stage credits include The horrifically real virtuality ( m.e.s. As a style of furniture, said to be imitative of furniture in the buildings of original Spanish missions to western North America, it is attested from 1900.Thomas Vallières has been training since 1999 in various acting and dance classes and recently graduated from LAMDA with a Masters in classical theatre. Meaning "dispatch of an aircraft on a military operation" (by 1929, American English) was extended to spacecraft flights (1962), hence, mission control "team on the ground responsible for directing a spacecraft and its crew" (1964). General sense of "that for which one is sent or commissioned" is from 1670s meaning "that for which a person or thing is destined" (as in man on a mission, one's mission in life) is by 1805. The diplomatic sense of "body of persons sent to a foreign land on commercial or political business" is from 1620s in American English, sometimes "a foreign legation or embassy, the office of a foreign envoy" (1805). Meaning "an organized effort for the spread of religion or for enlightenment of a community" is by 1640s that of "a missionary post or station" is by 1769. ![]() 1590s, "a sending abroad" (as an agent), originally of Jesuits, from Latin missionem (nominative missio) "act of sending, a dispatching a release, a setting at liberty discharge from service, dismissal," noun of action from past-participle stem of mittere "to release, let go send, throw," which de Vaan traces to a PIE *m(e)ith- "to exchange, remove," also source of Sanskrit methete, mimetha "to become hostile, quarrel," Gothic in-maidjan "to change " he writes, "From original 'exchange', the meaning developed to 'give, bestow'. ![]()
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